Kerry Tribe works primarily in film, video, and installation. Focusing on the mechanics of representation—particularly cinematic representation—its metaphoric potential and its engagement with reality, her art addresses processes of thought and their relationship to subjectivity, narrative, place and time. Employing image, text, sound, structure, and space, her work plays upon the internal workings and ingrained habits of the mind, its unavoidable quirks, flaws, and shifting fault-lines. Stimulating both reflexive experience and a reflection upon such experience, she prompts an unusual type of self-consciousness, a disorienting and discomforting awareness of the gaps between perception, cognition, and memory, the fluidity—and ultimate unreliability—of each.
– Cary Levine
Tribe’s work has been the subject of solo exhibitions at The Power Plant in Toronto, Modern Art, Oxford, Camden Arts Centre in London and Arnolfini in Bristol. It has been included in recent significant exhibitions at the Hammer Museum in Los Angeles, The Whitney Museum of American Art in New York and the Hirshhorn Museum and Sculpture Garden in Washington, DC. The recipient of a Creative Capital grant and a USA Artists Award, her work is in the public collections of The Museum of Modern Art, The Whitney Museum, The Hammer Museum, The Orange County Museum of Art and The Generali Foundation among others. She was a fellow at the American Academy in Berlin in 2005-2006, received her MFA from UCLA in 2002, and was a Whitney Independent Study Program Fellow in 1997-98. Tribe is represented by 1301PE in Los Angeles, where she currently lives and works.