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http://www.kerrytribe.com
Born 1973 in Boston, MA
Lives and works in Los Angeles / Berlin
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EDUCATION
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2002
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University of California, Los Angeles, MFA
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1998
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Whitney Museum of American Art Independent Study Program, New York
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1997
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Brown University, Providence, RI, BA
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SELECTED SOLO EXIBITIONS
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2010
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Arnolfini, Bristol, UK
Modern Art Oxford, Oxford, UK
Camden Arts Center, London, UK
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2009
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1301PE, Los Angeles
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2007
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Artspeak, Vancouver
Galerie Ruzicska, Salzburg
Galerie Maisonneuve, Basel
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2006
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REC, Berlin
Künstlerhaus Bethanien, Berlin
Galerie Maisonneuve, Paris
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2005
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Lewis Glucksman Gallery, Cork, Ireland
Southern Exposure, San Francisco
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2003
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Los Angeles Contemporary Exhibitions, Los Angeles
Bodybuilder & Sportsman Gallery (project room), Chicago
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1998
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MWMWM Gallery, Brooklyn, NY
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SELECTED GROUP EXHIBITIONS & SCREENINGS
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2010
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2010: Whitney Biennial, Whitney Museum of American Art, New York
Auto-Kino!, Temporäre Kunsthalle Berlin, Berlin
How Many Billboards, MAK Center for Art and Architecture, Los Angeles
A very, very long cat, Wallspace, New York
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2009
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The Moving Image: Scan to Screen, Pixel to Projection II, Orange County Museum of Art, Newport Beach, CA
Enonces, Musée d'Art Moderne et Contemporain de Strasbourg
talk talk: The Interview as Artistic Practice, Academy of Visual Arts [HGB], Leipzig;
Kunstverein Medienturm, Graz; Galerie 5020, Salzburg
Road Runners, VOX, centre de l'image contemporaine, Montreal
Closer (video program), Beruit Art Center, Beruit
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2008
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Memory is Your Image of Perfection, Museum of Contemporary Art, San Diego
Multiverse, Claremont Museum of Art, Claremont, CA
Idle Youth, Gladstone Gallery, New York
I'll Be Your Mirror, Svarta Havet, Konstfack, Sweden
1301 PE, Los Angeles
The Lining of Forgetting: Internal & External Memory in Art, Weatherspoon Art Museum, Greensboro. Catalog
The Cinema Effect: Illusion, Reality, and the Moving Image Part II: Realisms, Hirshhorn Museum and Sculpture Garden, Washington DC. Catalog
History Will Repeat Itself: Strategies of Re-enactment in Contemporary Art, CSW Centrum Sztuki Wspólczesnej / Centre for Contemporary Art, Warsaw. Catalog
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2007
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Virtuosic Siblings: Berlin / LA Festical of Film / Art, REDCAT and Goethe Institute, Los Angeles
Back to Nature, Galerie Ruzicska, Salzburg
History Will Repeat Itself, Hartware MedienKunstVerein, Dortmund, Germany, & KW Institute for
Contemporary Art, Berlin. Catalog
Doppelgänger, MARCO Museo de Arte Contemporánea de Vigo, Spain. Catalog
Moment Making, ARTSPACE, Auckland, New Zealand
God’s Waiting Room, Centre for Opinions in Music and Art, Berlin
Villa Photon, International Film Festival Rotterdam, 36th Edition, Rotterdam
Elephant Cemetery, Artists Space, New York. Catalog
Exile of the Imaginary: Politics / Aesthetics / Love, Generali Foundation, Vienna. Catalog
Material for the Making, Elizabeth Dee Gallery, New York
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2006
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Fiction, La Box, Bourges, France
700% Plus KB Kunsthal Centenniale, KB Kunsthal, Copenhagen, Denmark
Ephemeralities, various locations, Menen, Belgium
Objects In the Mirror Are Closer Than They Appear, Centre for Opinions in Music and Art, Berlin
Happiness, Gagosian Gallery, 4th Berlin Biennial for Contemporary Art, Berlin
Draft Deceit, Kunstnernes Hus, Oslo
Down By Law, organized by The Wrong Gallery for the Whitney Museum of American Art, New York
Vidéoformes 2006, Clermont-Ferrand, France
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2005
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De Sculptura, Galerie Ruzicska, Max-Gandolph-Bibliothek, Salzburg
Contour II, 2nd Biennial for Video Art, Mechelen, Belgium. Catalog
Over Sight, Center for Curatorial Studies, Bard College, Annandale-on-Hudson
E-flux Video Rental, 53 Ludlow Street, NYC; Kunst-Werke, Berlin; International Manifesta Foundation,
Amsterdam; Portikus, Frankfurt am Main; Moore Space, Miami; Insa Art Space, Seoul
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2004
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How Can You Resist?, LA Freewaves: 9th Biennial Festival of Film, Video and New Media
California Biennial, Orange County Museum of Art, Newport Beach, CA. Catalog
Adaptive Behavior, New Museum of Contemporary Art, New York
Between You and Me, SculptureCenter, Long Island City, NY
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2003
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First Person, Mercer Union, Toronto
Pol-i-tick, Williams College Museum of Art, Williamstown, MA
Echo Sparks, Ars Electronica Museum, Linz, Austria
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2002
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Videodrome II, New Museum of Contemporary Art, New York
A Show That Will Show That a Show Is Not Only a Show, The Project, Los Angeles
Alternate Routes, California Museum of Photography, Riverside, CA
European Media Art Festival, Osnabrück, Germany
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2001
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Not Quite Myself Today, ASU Art Museum, Tempe, AZ
Drawn From L.A. (Home Is Where the Heart Is), Midway Initiative, St. Paul, MN
Impakt Festival, Centraal Museum, Utrecht, The Netherlands
City Game, TENT, Rotterdam
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2000
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Leaving the Island: Pusan International Contemporary Art Festival, Pusan Metropolitan Museum of Art, Pusan, Korea
Sitegeist, Porter Troupe Gallery, San Diego, CA
Fact-Fiction, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany. Catalog
D>Art.00, Sydney Film Festival, Sydney, Australia
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1999
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4ème Manifestation Internationale Vidéo et Art Electronique, Champ Libre, Montreal
Impakt Festival, Utrecht, The Netherlands. Catalog
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SELECTED BIBLIOGRAPHY
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2009
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Herbert, Martin, “Focus: Kerry Tribe” in Frieze, No. 125, September, 120-121 (ill.)
Holte, Michael Ned, “Kerry Tribe at 1301PE” in Artforum, Summer, 346 (ill.)
Taft, Catherine, “Kerry Tribe, H.M. at 1301 PE” in Art Review, Issue 33, 133 (ill.)
Neel, Tucker, “Kerry Tribe at 1301PE” in Art Lies No. 62, 98 (ill.)
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2008
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Colin Browne, “The Frisson of Artifice,” in Retrospect, Artspeak, Vancouver
Karen Rosenberg, “Now You Percieve It, Now You Think You Do,” in The New York Times, August 22 (ill.)
Anja Bock, “Re-enactments, Montreal,” in Art Papers, March/April
Luke Heighton, “History Will Repeat Itself: Strategies of Re-Enactment in Contemporary Art,” in ArtReview,
Issue 19, February
Robin Laurence, “A flash of near-totalled recall,” in Georgia Straight, Jan 3-10, 36 (ill.)
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2007
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Kerry Tribe, Althea Thauberger, Melanie O’Brian, “Make-Up: Conversation about Medium,” in X-Tra,
vol. 10, no. 1, 6-15 (ill.)
Gloria Sutton, “Kerry Tribe,” in Ice Cream, Phaidon Press, London
Parveen Adams, “Art in the Time of Repetition,” in Exil des Imaginärin: Politik / Äesthetik / Liebe (Exile of the Imaginary: Politics / Aesthetics / Love), Generali Foundation, Vienna
Juli Carson, “Exile of the Imaginary: Politics / Aesthetics / Love,” in Exil des Imaginärin: Politik / Äesthetik / Liebe (Exile of the Imaginary: Politics / Aesthetics / Love), Generali Foundation, Vienna
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2006
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Kerry Tribe: Recent History (monograph), American Academy in Berlin, Germany. 152 pages.
Power Ekroth, “Draft Deceit,” in Frieze, June-July-August, 264
Candice Breitz, “Artist’s Favourites,” in Spike, No. 08, Summer 2006 (ill.)
Silke Hohmann, “Monopol Watchlist: Fünf junge Künstler, die uns aufgefallen sind,” in Monopol,
No. 3, June-July, 54 (ill.)
Nina Schjønsby, “Likefrem Kompleksitet” (interview), in Billed Kunst, March (ill.)
Miranda Robbins, “Kerry Tribe” for “Focus Los Angeles,” in Flash Art International, No. 246, January-February (ill.)
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2005
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Sophie Ekwe-Bell, LA Artland, Black Dog Publishing, (ill.)
Abraham Orden, “Four Solo Shows at Southern Exposure,” in Artweek, May 29 (ill.)
Jan Tumlir, “California Biennial,” in Artforum, February, 168 (ill.)
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2004
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Holly Willis, “In The Fast Lane,” in LA Weekly, November 5-11, 65
Christopher Knight, “Biennial Arrives and So Does a Museum,” in Los Angeles Times, October 12, E7
Kenneth Johnson, “Adapting and Constructing in a Dizzily Changing World,” in The New York Times, September 24, B33
Daniel Adler, “Kerry Tribe at LACE,” in Art in America, September, 39-140 (ill.)
Holly Myers, “Itineraries,” in Los Angeles Times, August 20
Michael Ned Holte, “Itineraries,” in Artforum.com Critic’s Pick, August 2
Eve Wood, “Kerry Tribe,” in ArtWeek, February, 22-23 (ill.)
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2003
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Christopher Knight, “Around the Galleries,” in Los Angeles Times, December 26, E47 (ill.)
Arty Nelson, “Compound Interest,” in LA Weekly, July 25-31
Bill Stamets, “Kerry Tribe: Critic’s Choice,” in The Chicago Reader, April 18, 30 (ill.)
Larry Hirshowitz, “Remember This Bench,” in LA Weekly, March 21, 12 (ill.)
Elio Iannacci, “Interview with Kerry Tribe,” in UR Chicago, March 13, 19 (ill.)
Leslie Dick, Sharon Hayes, Mary Kelly, Kerry Tribe, “Something Like a Bridge: A Conversation on the Occasion of ‘Gloria: Another Look at Feminist Art in the 1970s’” in X-Tra, vol. 5, no. 3, 10-15
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2002
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Rita Gonzales, “Kerry Tribe’s History/Detour,” in The Independent Film & Video Monthly,
July, 42-43 (cover, ill.)
Miranda July, “Let’s Walk Together,” in The Independent Film & Video Monthly, July, 34-35, 43
Tessa Laird, “Genius Loci,” in Art on Paper, May-June, 90
Kerry Tribe, North is West / South is East: 32 Maps of Los Angeles, artists book, ed. 1000
Ann Klefstad, “Drawn From LA,” in New Art Examiner, March-April, 73
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2001
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Robert Pincus, “Life As We Know It,” in San Diego Union-Tribune, December 5, 37-38
Frederico Windhausen, “Unpacking,” in Zing Magazine, Winter, 257-258 (ill.)
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1999
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Claire Daigle, “Kerry Tribe,” in New Art Examiner, December-January, 58 (ill.)
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SELECTED AWARDS, FELLOWSHIPS & RESIDENCIES
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2005-06
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Guna S. Mundheim Fellow, American Academy in Berlin
Artist in Residence, Künstlerhaus Bethanien, Berlin
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2005
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Louis Comfort Tiffany Foundation Award
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2003
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Artists’ Resource for Completion Grant, The Durfee Foundation
Associate Artist, Atlantic Center for the Arts Residency, Florida
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2001
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Hoyt Scholarship, Department of Art, UCLA
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1999
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Clifton Webb Fine Arts Scholarship
Darcy Haymen Award, Department of Art, UCLA
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